"Talking about Art" Reader

Chapter List (130) Free

• 1: foreword
• 2: Note
• 3: 1. Appreciation theory (1) Mr. Qian's "Break Muscle Separation"
• 4: (2) Discussion on "the difference of one character, the tone of the words is very different"
• 5: (3) On Poetry Notes and Citations
• 6: (4) On Annotating Poems, You Need to Know the Author's Hands and Eyes
• 7: (5) On post-citation and pre-note
• 8: (6) On Correcting Mistakes
• 9: (7) Yuan Haowen's Commentary on Huang Tingjian's Poems
• 10: (8) Yuan Hao asked about Su's poems
• 11: (9) Indicate the purpose of the poem
• 12: (10) Poetry Annotation Essentials and Allusions
• 13: (11) Reasonable and interesting poetry interpretation
• 14: (12) Liqun and Liyu
• 15: (13) Euphemisms and Reasonable Interpretations
• 16: (14) Breaking Willows
• 17: (15) Combination of thought and cause
• 18: (16) Taking meaning out of context and breaking attachments
• 19: (17) Words are the voice of the heart
• 20: (18) Discussion on "Observing things without intimacy, and understanding things without closeness"
• 21: (19) On the sustenance theory of poetry
• 22: (20) Appreciation and Analysis of Li He's Poem "Annoying Gong"
• 23: (21) Appreciation and analysis of Li Shangyin's poem "Jinse"
• 24: 2. Creation theory (1) Imitating nature and embellishing nature
• 25: (2) The Creation Theory of "Choosing Spring Dreams"
• 26: (3) Talk about inspiration
• 27: (4) Talk about "living method"
• 28: (5) Talk about punchlines
• 29: (6) Grasping "Poetic Thinking"
• 30: (7) Mental preparation before creation
• 31: (8) "Emotions come from things" and "holding passion to things"
• 32: (9) Respond to things with the heart, follow the pen with the mind
• 33: (10) "Taking vulgarity as elegance, taking the old as new"
• 34: (11) Realistic and vulgar, don't show your posture
• 35: (12) Discussion on Immediate and Leaving
• 36: (13) Cloth
• 37: (14) Clear water with stones and salt in water
• 38: (15) Ideas and Empathy
• 39: (16) Scenery writing technique
• 40: (17) Write reflections in water
• 41: (18) Fighting against each other with the difference between the same kind
• 42: (19) The reason for antithesis and rhyme is hard to see
• 43: (20) Avoid repetition of word meaning
• 44: (21) Extension
• 45: 3. On Writers’ Works (1) On Tao Yuanming
• 46: (2) On Tao Yuanming's poems in the past dynasties (1)
• 47: (3) Discussion on Tao Poems Promoted by People in Tang and Song Dynasties
• 48: (4) On Yu Xin's Poems
• 49: (5) On Zhang Ji's poems
• 50: (6) On Bai Juyi's Poems
• 51: (8) On the style of Li He's poems
• 52: (9) Li He's poems use jade as a metaphor
• 53: (10) Li He's poems are firm in flight
• 54: (11) Pu Jian Shu Shuang in Li He's Poetry
• 55: (12) Li He feels the fleeting time and stays in a hurry
• 56: (13) Comments on Sikong Tu's "Poetry"
• 57: (14) On Mei Yaochen's Poems (1)
• 58: (15) On Huang Tingjian's Poems
• 59: (16) On the poems of Yang Wanli and Lu You
• 60: (17) On Zhao Mengfu's Poems
• 61: (18) On Jingling Poetry
• 62: (19) Poetry of the Jingling School
• 63: (20) On Ruan Dacheng's Poems (1)
• 64: (21) On Ye Xie's Poems
• 65: (22) On Fang Bao
• 66: (23) On Qian Zai's Poetry (1)
• 67: (24) On Poetry of Scholars (1)
• 68: (25) On Zhao Yi's poems
• 69: (26) On Tian Wenzun's Song Poems
• 70: (27) On the Tiredness of Poetry and Prose
• 71: (28) Comments on Huang Zunxian's Poems (1)
• 72: (29) Comments on Yan Fu's poems
• 73: (30) Comments on Wang Guowei's Poems and Treatises
• 74: (31) Comments on Su Manshu's Comments on Poets
• 75: 4. Literary Criticism (1) Impersonating people with text, consistent in form and spirit
• 76: (2) Good poems seem familiar
• 77: (3) On the circle
• 78: (4) Discussion on "Without a word, you can be romantic"
• 79: (5) On Water Moon Mirror Flower
• 80: (6) Poems are different only if they are different
• 81: (7) Using Zen as a metaphor for poetry
• 82: (8) On Shen Yun, Spirituality, and Style
• 83: (9) Spirituality and Academic Ability
• 84: (10) Shen Yun and Dian, Yuan, Harmony, and Ze
• 85: (11) Ways to live and ways to die
• 86: (12) Way of life and door of death
• 87: (13) Rationale in Poetry
• 88: (14) Comments on Yuan Mei's Poems (1)
• 89: (15) Review of "Dream of Red Mansions Review"
• 90: (16) Digestion
• 91: (17) Appendix
• 92: V. Style theory (1) On the separation and integration of poetry and music
• 93: (2) Stylistic changes
• 94: (3) Invasion and expansion of poetry
• 95: (4) Using essays as poems and poems as words
• 96: (5) Boliang style
• 97: (6) Chapter Mantra Qi and Idiot Qi
• 98: (7) Composing poems with poems
• 99: (8) Biography is connected with novels
• 100: (9) Stereotyped writing is familiar with opera
• 101: 6. Rhetoric (1) Broad metaphor (1)
• 102: (2) Metaphor
• 103: (3) Metaphors and puns
• 104: (4) Two handles of metaphor
• 105: (5) Different sides of metaphors
• 106: (6) Synaesthesia and description
• 107: (7) Imitation (1)
• 108: (8) Improper comparison
• 109: (9) Drafting the text with the purpose
• 110: (10) Anti-imitation
• 111: (11) Personification and Metonymy
• 112: (12) Speech and Metonymy
• 113: (13) Duality
• 114: (14) When the sentence is right
• 115: (15) Reversal
• 116: (16) Source
• 117: (17) Practice calligraphy (1)
• 118: (18) Different pronunciations of the word "mourning"
• 119: (19) Changed words
• 120: (20) "Duck Prophet" Debate
• 121: (21) set pattern
• 122: (22) Rhetorical flaws
• 123: (23) Changes in sentence patterns
• 124: (24) Constitution
• 125: 7. Styles (1) Differences in literary styles between the North and the South
• 126: (2) Differences in Tang and Song poetry styles
• 127: (3) Du Lu's vigor and toughness
• 128: (4) Gongan Jingling and the Seven Sons
• 129: (5) Wang Shizhen's Discussion on Proper Names Helping Distant Gods
• 130: (6) Qian Zai's secluded repairs and thin and wrinkled